Gentlemen Prefer Blondes was Jane Russell’s only film with Marilyn Monroe. They got along well. Russell called Monroe “Blondie” and was often the only person on the set who could coax Monroe out of her trailer to begin the day’s filming.
Daryl Hannah as Pris in Blade Runner (1982)According to production designer Lawrence Paull, her punk outfits and make-up were inspired by a new wave calendar: “In late 1980, all of us threw a Christmas party in the art department,” Paull explains. “There were presents scattered everywhere. One was a wonderful calender of air-brushed, stylized portraits of new wave fashions - heavy rouge, different hair colors, features and clothes heavily accented. Sometime later Ridley stumbled across that calender and asked if he could borrow it for awhile. It wasn’t long before he had his head together with Charles Knode, who is one of the most resourceful costume designers I’ve ever met. The punk look then became the style for Pris and for some of the background extras on the street.”
Fight Club trivia: When Lou sees the Fight Club members in the basement of his restaurant, Lou punches Tyler in the stomach. When Tyler gets punched, you can see the Narrator double over slightly as if he too was punched in the stomach. A few shots later, Lou kicks Tyler in the face while he is kneeling, and in the background we see the Narrator’s head go back at the moment of impact.
So on this day of reflection I say again, thank you for going on this journey with me. I’ll see you at the movies.
Clementine’s hair goes through several color changes, blue, orange, red, green, and brown which seems to be her natural hair color. This helps the viewer keep track of where her relationship with Joel corresponds to the plot.
"As written, Ryan Gosling comes into this baptism, sits down in the middle of the pews with all the people, and is enraged that another man is baptizing his son. So I had 500 people from Schenectady show up in their Sunday finest. You had Eva Mendes, Mahershala Ali, and the baby: Everyone’s dressed to the nines. I had the camera in the back of the church, and I told Ryan, ‘Come in and find a place to sit.’ Ryan walks into the church, and he’s literally a marked man. He cannot fit in anywhere."
"He moved over to the corner of the church, and I just panned with him as he sat down. Then I cut and moved my camera into a close-up. And I was shooting this close-up of him, and behind us, there was this baptism going on. I noticed Ryan wasn’t getting enraged as I had expected, but he was trembling. And I noticed that this well of emotion was building in him, this humiliation, this deep shame. And he started to break down on camera. As his friend, all I wanted to do was shut the camera off and give him a hug. Give him a napkin and wipe it off: It’s just pretend. But that’s what we were there for. You’re always trying to get to a place where the acting stops and behavior begins. That’s what these tattoos are for — actors are very much like athletes to me, I work with them on a very physical level. I feel like the physical level affects the psychological and the emotional."
“It is a pity the young Pi was not nominated There’s not much you can do. He’s an Indian actor and nobody knows him so he was easily overlooked.
With peer voting, people will vote for their friends or based on their impressions. He’s a newcomer and we often said he had never acted before—that’s a disadvantage to getting nominated. But I do think his performance was the purest performance.”
Taiwanese director Ang Lee noting Hollywood’s tendency to overlook Asian actors to a Chinese radio station. Ang Lee was disappointed that Suraj Sharma was not nominated for Best Actor for his performance in The Life of Pi. Lee added that he felt Irfan Khan should have been nominated for Best Supporting Actor, and that Zhang Ziyi was not nominated either for Crouching Tiger Hidden Dragon, nor were any actors nominated for Slumdog Millionaire.
What’s a guy gotta do to get an Oscar? Here’s some trivia about Sharma’s work on the film, from FirstPost.com.
- Sharma beat out 4,000 other applicants (Ang Lee decided from the start the role would not be whitewashed.)
- Sharma had never acted prior to this so Ang Lee assigned him a pile of homework and made him act scenes from Teneesse Williams and other playwrights just for practice.
- Sharma didn’t know how to swim when he was cast for the role. When he first started out he could only hold his breath for 14 seconds. In the end he was able to go for one minute and a half.
- Sharma spent most of the movie filming in a pool emoting in front of a blue screen to an invisible tiger.
- Sharma lost 20% of his body weight for the role, eating a diet that mostly consisted of tuna fish, just like his character, so his ribs would show.
- Sharma cut himself up frequently while working on the boat and used those injuries in his acting. He would allow himself to get flipped along with the boat.
- The production was banned from speaking to Sharma. Ang Lee and Sharma agreed that he would not to talk to other people for almost two months so he would understand what isolation was like.
1. This kid is badass.
2. When white actors like Christian Bale and Leonardo DiCaprio do stuff like lose 20% of their body weight or cut themselves and keep acting everyone cheers uproariously.
3. It is weirdly dismissive when films about characters of color get nominated but their actors do not. Django Unchained, Life of Pi, Slumdog Millionaire, Crouching Tiger Hidden Dragon, The Last Emperor, etc.
4. As FirstPost points out, a lot of the Oscar snubbed actors that people are talking about like Leonardo DiCaprio have plenty of other opportunities to star in other big movies. When is the next big project for an actor of South Asian descent coming up?
Do you have a preference for any one aspect of the whole filmmaking process?
I think I enjoy editing the most. It’s the nearest thing to some reasonable environment in which to do creative work. Writing, of course, is very satisfying, but, of course, you’re not working with film. The actual shooting of a film is probably the worst circumstances you could try to imagine for creating a work of art. There is, first of all, the problem of getting up very early every morning and going to bed very late every night. Then there is the chaos, confusion, and frequently physical discomfort. It would be, I suppose, like a writer trying to write a book while working at a factory lathe in temperatures which range from ninety-five to negative ten degrees Fahrenheit. In addition to this, of course, editing is the only aspect of the cinematic art that is unique. It shares no connection with any other art form: writing, acting, photography, things that are major aspects of the cinema, are still not unique to it, but editing is.
July 26, 1928 — March 7, 1999